Carl Larsson
A Sweden Museum


Carl Larsson's Oil Paintings
Carl Larsson Museum
May 28, 1853–January 22, 1919. Swedish painter.
Carl Larsson

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MIERIS, Willem van
An Old Man Reading
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ID: 43725

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MIERIS, Willem van An Old Man Reading


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MIERIS, Willem van

Dutch Baroque Era Painter , b. 1662, Leiden, d. 1747, Leiden, Dutch painter, was the son of Frans van Mieris sr.. His works are extremely numerous, being partly imitations of the paternal subjects, or mythological episodes, which Frans habitually avoided.  Related Paintings of MIERIS, Willem van :. | Martyrium des Hl. Andreas | Cultivation of Flower | Portrait Study of a Youth | Love's Jewelled Fetter (mk23) | The portrait of Pavlovian |
Related Artists:
Parentino, Bernardo
Italian Painter, 1437-1531 was an Italian painter of the Renaissance period, active mainly in Padua. Born in Parenzo, then a Venetian town in Istria and died in Vicenza. He was influenced, if not a pupil, of the painter Andrea Mantegna. He became an Augustinian monk under name of Lorenzo. He painted Scenes of the life of San Benedetto for the cloister of Santa Giustina at Padua, and a Nativity once at the Accademia in Venice. He painted a nightmarish Temptation of St. Anthony Abbot found at the Doria Pamphilj Gallery. An Adoration of the Magi
Januarius Zick
German,1730-1797 was a painter and architect. He is considered to be the one of the main masters of the Late-Baroque. Januarius Zick was born in Munich and began to learn his trade from his father, Johannes Zick, a renowned painter himself, to whom he was apprenticed in order to learn how to paint frescoes. In 1744, when Januarius Zick was fourteen years old, his brother, three years his junior, fell to his death from a scaffolding in Weingarten. From 1745 to 1748, Januarius Zick was apprenticed as a bricklayer to Jakob Emele in Schussenried. Having finished his apprenticeship, he worked, together with his father, at the residence of the Prince-Bishop of Wurzburg and then, until the mid-1750s, at the residence of the Prince-Bishop of Speyer in Bruchsal. In 1756, Januarius Zick went to Paris to further his education. There, he came into contact with artists and art connoiseurs from Rome, Basel and Augsburg, who broadened his horizon concerning his art and had a considerable influence on him. After having furnished Castle Engers near Neuwied with frescoes in 1760, he was appointed court painter to the Prince-Elector of Trier, the archbishop of Trier. He married in Ehrenbreitstein and settled there. After 1774, he also designed intarsia paintings for cabinet maker David Roentgen. From the late 1770s on, Januarius Zick was very active in Upper Swabia, furnishing a number of monastery churches and parish churches with frescoes and altarpieces.
Duccio
1255-c1319 Italian Duccio Location Italian painter. He was one of the most important painters of the 14th century and like his slightly younger contemporary, Giotto, was a major influence on the course of Italian painting. An innovator, he introduced into Sienese painting new altarpiece designs, a dramatic use of landscape, expressive emotional relationships, extremely complex spatial structures and a subtle interplay of colour. His most important and revolutionary work, the Maeste for Siena Cathedral, was never matched during the 14th century, if at all, and his influence lasted well into the 15th century.






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